We worked with Ogilvy and Mather to complete the colour correction on this particular spot. Because the project was shot using miniatures, the colour and lighting could be drastically different when you cut from scene to scene. Whereas if you were to shoot it the spot with a standard appliance in a kitchen, you would have more options to shape and match the lighting from scene to scene. Ultimately, getting the colour in every scene to fit correctly took longer than anticipated, but we were happy with the result.